Wushu Festival

Wushu Festival

Art of Kungfu

Introduction of Gongfu
The terms 'Kuoshu' (Chinese National Arts) and 'Wushu' (Chinese Martial Art / Athletics) have become widely heard of in the Western Hemisphere. This is due mainly to television and video presentations. Some, like the famous series called 'Kungfu', depict the ideas, philosophy and types of people involved. Kungfu is a slang word really, it means, rather loosely translated, trained skills or a trained person. The name which should replace Kung-fu is Ch'uan-shu, meaning Fist-skills or more broadly translated, training to fight. It is believed that India, China, Tibet and Mongolia all had their own forms of Martial Arts. These may have been developed by soldiers who wanted to improve their combat ability, or by Monks and travellers who merely wished to defend themselves from robbers along the way. For our example let us look at Lord Buddha (The Enlightened One) who was Siddhartha Gautama, the son of a Warrior Caste Prince in India. He was naturally brought up as a warrior and was taught all aspects of combat and military procedure. After dropping out from his inherited lifestyle and seeking enlightenment he discovered that he needed some form of exercise to keep his body in good working order. The exercises and technique associated with unarmed combat seemed to be most effective so, he did this. He also recommended this to his followers (disciples) and that is why most Martial Art schools of a non-military nature have very strong Buddhist connections. (NB: It would be interesting here to note the dictionary definition of 'Military' which is under 'Militant').

Buddhist Influence - Shaolin Monks
One of Gautama Buddha's disciples was keen to take the scriptures that had been written about Gautama Buddha's philosophy to other parts of the world, and so travelled to China. During the period 520 to 529 AD, Damo, as the Chinese called him, stayed at a Temple in Honan Province after leaving the Emperor's Palace, where he had felt the scriptures were not taken seriously. The Temple was named 'Shao-lin' (Young Forest) and the monks there learned about Confucianism, Taoism and practised some Martial Arts, one art was probably Chi-chi Shu (the parent of Jiu-jitsu, the origins of this Art go back to the Han Dynasty, 206 BC to 220 AD), another was the use of a wooden Staff (Kun). The Shaolin was believed to be mainly of Taoist persuasion then. The monks were already renown for their skills with a wooden staff. It is impossible to accurately portray the exact happenings of those times as much historic evidence has been destroyed.

Damo noticed that the monks lacked concentration and stamina during the long scripture redings. He then developed several sets of exercise which are thought to have had some strong influences in the development of the Shao-lin Ch'uan-shu (Young Forest Monastery Boxing-skills). The best known of these is probably 'The Muscle Changing Set'. It was later on that really profound changes were made and the Arts of Ch'uan-shu really prospered.

At the end of the Mongol invasion into China came the Ming Dynasty, 1368 to 1644. During this reign a Taoist hermit-priest named Chang Sam-fung (In Cantonese = Cheng Salm Feng (Canton is really 'Kwang Tung' Province.)) introduced a new and refined form of 'boxing-exercise', it became known as T'ai Chi Ch'uan - Supreme Universal-polarity Boxing. It is thought that Cheng used to reside at the Honan Shaolin Temple whilst practising Taoist Boxing sets. Legend recalls that Chang did not wish to change philosophies to suit fashions, but wanted to seek a 'perfect' boxing form which reflected Yin and Yang. He went to live as a hermit in the mountains in order to develop and refine Taoist concepts and skills. However, one morning he was awakened by the scream of a Crane. He looked out from his window to see this big bird fighting with a snake. The two were well matched.

Chang noted that the snake used Yin technique and the crane used more Yang moves. Chang then set about incorporating some of these movements into his new style. This 'new' form was generally less reliant on short-lived muscle power (termed 'hard style') and instead developed internal organ strength and internal energy, ch'i through careful and considered practice. This was later known as 'soft style' or 'internal' training skill (Kung-fu). This won lots of favour with the Chinese as it was said to be a far superior form of boxing.


 

Introduce Chinese Gonfu

        Chinese martial arts describes the enormous variety of martial arts styles originating in China .Kung fu and wushu are popular terms that have become synonymous with Chinese martial arts. However, the Chinese terms kung fu ( Chinese : 功 夫 pinyin : gōngfū) and wushu ( traditional Chinese : 武术 ; simplified Chinese : 武术 ) have very distinct connotations. Each term can describe different martial arts traditions and can also be used in a context without referencing martial arts. Colloquially, kung fu (or gong fu) alludes to any individual accomplishment or cultivated skill. colloquially 。 In contrast, wushu is a more precise term that refers to general martial activities.The term wushu has also become the name for a modern sport similar to gymnastics involving the performance of adapted Chinese bare-handed and weapons forms (tàolù 套路) judged to a set of contemporary aesthetic criteria for points.

Philosophy of Tae Kwon Do

      The philosophy of Tae Kwon Do is to build a more peaceful world. To accomplish this goal Tae Kwon Do begins with the foundation, the individual. The Art strives to develop the character, personality, and positive moral and ethical traits in each practitioner. It is upon this "foundation" of individuals possessing positive attitudes and characteristics that the "end goal" may be achieved.
      Tae Kwon Do strives to develop the positive aspects of an individual's personality: Respect, Courtesy, Goodness, Trustworthiness, Loyalty, Humility, Courage, Patience, Integrity, Perseverance, Self-control, an Indomitable Spirit and a sense of responsibility to help and respect all forms of life. This takes a great deal of hard training and many do not reach far enough to achieve perfection in all of these aspects. However, it is the physical, mental, and spiritual effort which the individual puts forth that develops the positive attributes and image of both the individual and how he or she perceives others.
      By helping mold an individual into a well-rounded and responsible person, the individual can pass onto others, through both his teachings and his personal actions, the principles he has learned through his Tae Kwon Do training. Individuals unite and become a family, families come together and form a community, communities merge and develop into a nation, and nations are what make up our present-day world. In order to help build a more peaceful world, Tae Kwon Do starts with one person at a time. Gradually groups form, dojangs (schools) emerge, organizations develop, until Tae Kwon Do's philosophy has influenced, in a positive way, enough persons, families, communities, and nations, to someday bring about, or at least help bring about, the unification of nations dedicated to helping each other.
      The task is not easy. Just like the metamorphosis an individual goes through from white belt to black belt and eventually Master, so the transition of the unification of nations united by laws of peace, is a long and hard task. Tae Kwon Do strives for this unification. Race, creed, and nationality have nothing to do with Tae Kwon Do. They are all one in the same. Tae Kwon Do reaches toward the total development of the individual and the founding of a peaceful world. No matter what color a persons skin, no matter what his religion, no matter where his national boundaries we all seek one thing, Peace. This peace can only be achieved if each person has found peace within himself. Tae Kwon Do reaches toward the cultivation of this inner peace and the development of a well-rounded responsible individual.
      The physical aspects of Tae Kwon Do are merely a by-product of Tae Kwon Do. It is the mental and spiritual development of a person which Tae Kwon Do nurtures and helps give birth to. The philosophy of Tae Kwon Do can be attained through the cultivation and maturity of all three aspects of the Art; physical, mental and spiritual, in each individual. Once these three aspects have been instilled in a person, then the total maturation of the person will start a chain-reaction which will, with God's help, lead us to a more peaceful world.
      Tae Kwon Do is doing its part to build a more peaceful world, I, as an instructor, am doing my best to attain this goal, and you, as a practitioner of the Art of Tae Kwon Do, have begun to set the world on the path of peaceful unification. Our task is not an easy one. We may not see our goal fulfilled in our lifetime, but we are now planting the seeds which will one day take root and blossom into Tae Kwon Do's philosophy, total positive development of each individual and a peaceful world.

 

What Is Tae Kwon Do?

     Tae Kwon Do may be the most maligned of arts. You are asked to believe that it was created for the destruction of one man by another. You are entertained by the smashing of boards and are told that this power is the goal of Tae Kwon Do
     You hear high-pitched incantations and are led to believe that somewhere within these sounds lies the mystique of Tae Kwon Do.
     This is show business. It is not Tae Kwon Do. Like all show business, the act will change whenever the opportunist believes that your mood has changed. But Tae Kwon Do does not change. It is constant in form and purpose. It was created by nonviolent men to discourage violence.
     It does give power. A power of self-defense far more frightening than the mere shattering of boards. But it never once suggests an offensive use of this power. It does bring physical well being, for there is no discipline of man which trims, shapes or conditions the body as well.
     It does bring a fluidity to motion, a grace to movement, and physical harmony. And it does more. It brings self-strength, self-knowledge, self-confidence, and self-control. It reaches toward "ki"... the development of a total being capable of meeting any challenge with calm and success. It brings one to himself. It is a "way" of life.
     The journey from those first simple moves of self-defense to "ki" is a long one. We invite you now to take the first step of that journey.

 

Chinese Gongfu

      Chinese Gongfu is a very important and unique form of Chinese  culture. It can be viewed as both a popular and a classical art: today it is very common and widespread; on the other hand, it has had a very long developed history. Not only did it not decline and disappear as many other facets of pre-modern Chinese culture, it even seems to be gaining much recognition, both in its actual practice and in its relative literature, thetics, philosophy, psychology, etc. are more and more intriguing.

      Chinese Gongfu possesses an important and extensive  cross-cultural significance. Western culture has, of course, a great influence on the path of Chinese modernization.

     {mosimage} Meanwhile Chinese culture is also making an impact on Western  culture; the popularity of Chinese Gongfu, including Taijiquan, Qigong, etc., is not limited to China but has  become a worldwide phenomenon; it thus is a typical example of  this reverse impact. As it includes different aspects such as fighting exercise and health care, daily life and academic study, natural state and social scope, research on Gongfu could shed a wholly new light on these interrelated phenomena in an intercultural context.

     {mosimage} I think that, if the research sets out from aesthetics perspective, people can more easily comprehend the characters  of the popularity and fashion of Gongfu as "art"; and if  Gongfu research starts with the aesthetic method, namely "perceptually comprehensive method", the profoundness namely multi-gradation and multi-orientation of its intercultural significance can be explained in a orrespondingly simply way;  thus the research on Gongfu will more effectively oppose the "cultural centered views", so as to raise a new subject and  even open up a new path for modern international academia.

     {mosimage} 1.Beauty of form of Wushu and Chinese Art Many westerners find the action and routines of Chinese Wushu (Martial Art) to be quite spectacular, but also ask if a real  Gongfu fight would look so impressive. This really involves a  very interesting problem: Chinese Gongfu has not only   practical goals, but also embodies the pursuit and  appreciation of beauty.

     {mosimage} 2.Beauty of mood of Qigong and the wisdom of Taoist School and   Chan sect Chinese Gongfu includes both Wushu and Qigong. In fact, the
higher level of most of Wushu (martial arts) is Qigong. Qigong  exercise has created aesthetic miracles of life and culture,   which modern sports cannot hope to reach.  3. Being beauty of Gongfu and Tao-ontological aesthetics Gongfu-aesthetics studies both the outside beauty of form and the inner beauty of spirit. Moreover, it may involve ontology (being philosophy) of beauty of life.

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