Wushu Festival

Wushu Festival

Yi Jin Jing (the book of scripture for Changing Tendon

Yi Jin Jing (the book of scripture for Changing Tendon
    In Taihe Period under the rule of Xiaoming Emperor of the last Wei Dynasty, the Master Bodhidharma left Liang Empire moving to Wei and settling in Shao Lin Temple facing the wall for meditation, mortification and searching Dhyana. One day, he told his prentices, "You tell me all what you know and how much you understand the Buddhist doctrine. Let me know your achievement." By the way, all the prentices told the Master the progress of each one by one, and then the master said, "This person has gained my skin; another, muscle; that one, bone. Only Huike gains my marrow." The descendants explained what Bodhidharma said in a simply way had been expressing the different levels of meditation process with his prentices in metaphorical way. But in fact, it was not in figuration but the literate meaning. Bodhidharma underwent suffering and mortified for nine years, he came to nirvana. His body was initially buried at the foot of the Xionger hill but vanished at last. There was only one straw sandal left. The wall Bodhidharma faced for nine years with a legacy were broken down by continual strong wind and raining. The Shao Lin monks found an iron box possibly with a letter inside when they repaired the house. They tried their best to open it but in vain even though it was not locked. One monk suddenly got to understand the box of letter was stuck together by wax. When he put the iron box in fire, the wax fell off and the box was opened. After that, he got two books, one was Xi Sui Jing, i.e. a book named Scripture for Cleaning Marrow, the other was Yi Jin Jing. The content of Xi Sui Jing is that: Through one's whole life, he or she always undergoes love and passion. Anyone who cannot resist on various temptations in his or her life will degenerate. Anyone who wants to gain the Prajna and the gnosis must first purely clean all of his organs and bones. Only this can he begin his lesson of mortification and reach the Prajna at last. Without this process, all the sufferings he undergoes are useless and no achievement can he make. Up to reading this, it is clear that what Bodhidharma talked about "gain my marrow" is not in metaphor way. The content of Yi Jin Jing is that: Out of the bone and marrow, within the skin and muscle, there are all tendons relative to each other all over the body to pass through and control the vim and other things we gained after birth. Using the false method to do the lesson, the downside can be seen himself immediately without any need to be reminded. This is a usual thing happening to the monks and few could reach the Prajna in the past. Abandoning the right way to go on and not doing the lessons diligently, one will gain not any result at the end. Up to reading this, it is clear that what Bodhidharma talked about "those who gain my skin and muscle" is not in metaphorical way or brickbat too. The book of Xi Sui Jing was belonged to Huike as a precious legacy being handed down secretly. It was lmost never shown up after that. The book of Yi Jin Jing was kept in Shao Lin Temple memorizing the Master. Since the Scripture was written in the ancient Indian language, none of the Shao Lin monks could read and translate the whole book except only one or two tenths of it. Those Chinese translations have been handed down secretly in different meanings through different persons' comprehensions by the monks of different generations. When each monk practiced in his own way, the meanings of the Scripture were slowly deviated from the right Buddhist doctrine. The reason why Shao Lin Temple is famous for its Kung-fu nowadays might have to trace back focusing on the book Yi Jin Jing. A monk named Dafu as the best intelligent among the monks believed that the book should have the right method and the greatest Kung-fu not as such kinds of usual ones handed down. He thought no any monk could read the book but there must be someone outside the temple who could read it. So he carded the book with him and went over everywhere from one mountain to another looking for someone who could read the book. He arrived in Shu area and met a Sangha named Bancimidi from the west of India on the Emei Mountain. He talked to Sangha about the book and asked for translation. The Sangha said, "The book contains all of Bodhidharma's doctrine and experience, but the text is too abstruse to translate. I only can explain the meanings to you. If you could master them, you will become Buddha." The Sangha explained the meanings of the Scripure to Huifu one by one and they both did the lesson in Emei Mountain. After one hundred days, the Qiof them seemed being solid; another one hundred days, their Qi became full filled with the whole body; one hundred days more again, it became moving freely and fluently. This was called the state of Buddha's warrior and then they entered the state of Buddha' s Prajna. After that, all the lessons had been done, the monk Huifu mastered the doctrine, his will became steady more and more, he naturally abandoned all the affairs of human life and followed the Sangha undergoing lots of sufferings overseas and vanished without any trace in the world at last. Before he was vanished, once Xuhongke met Huike oversea and was taught the secret of the book Yi Jin Jing, and then Xu taught it to Qiuxu Ke, and Qiu taught Yu. Yu tried to practice and gained a particular effect, so he believed that the doctrine was true. But it is a pity for me without knowing the book of Xi Sui Jing to experience the state of Buddha and also regret for the will not strong enough to be monk abandoning the affairs of the common life. But the doctrine of the book is the only one exceptionally wonderful I have ever read. I write this foreword to tell the whole story of the book and hope every one can practice to become Buddha making sure not to waste the human life any more. If someone could be a Buddha, it might be the aim of the Master Bodhidharma leaving the book for the world. If being brave enough is the fight way to be famous in the world, there must be many people were famous already for their own bravery in the passed years, but why didn't they be recorded on the written history even if only a few? Time: March 3rd, in the spring, Two years passed Zenguan period in Tang Dynasty.
    Written by the general Li Jing
    Note: This preface introduces the story of how the book Yi Jin Jing came from and the effect of practice. The text is written in the way with a dense religion color and readers must distinguish and understand the real meaning.
    The introduction of volume One
    The main idea of the master Bodhidharma: there are two elemental steps to gain "Zhengguo",called "Chuji", one is "Qingxu", the other is "Tuohuan". To achieve Qingxu, one has to have no any confusion in his feeling and spirit; to achieve Tuohuan, he or she will have got no obstacle, so he can be samadhi (enter into trance). Knowing this, one is said to have got the foundation of work. Qingxu is the same as Xisui; the Tuohuan is the same as Yijing. The idea of Xisui is: through the whole life, a human being always undergoes love and passion. If he cannot resist on refusing all the temptation for his life, he will fail and degenerate. If he wants to gain the Prajna and the gnosis, he must first purely purify his all organs and bones. Only by doing this, can he begin his lesson of mortification and reach the Prajna at last. Without this process of the entry, one is said to have no foundation. To obtain Xisui is to clean one's inside feeling and spirit; the aim of Yi Jing is to strengthen and enhance one's body. If one can both be Qingxu inside and strong outside, it will be easy for him to reach the state of the door of Shen?. The idea ofYi Jin Jing is: All the tendons and bones of human are formed in one's foetus state, .... someone's tendon is loose, or disorder, or weak, or contracted, or strong, or easy, or in harmonic situation, all sorts of tendons are decided by the forming of foetus. It is said about the tendons that the looseness of them means ill; the disorder means thin; the rotten means impotent; being weak means slack; being contracted means dying; being easy means long; being powerful means strong; being harmonic means healthy. If one has no Qingxu inside but on the contrary with lots of obstacles within, how could he enter into the fight access? In reality, to enter into the gate of Taoism, changing the tendon and muscle to strengthen and enhance one's body will be the first of all, or one will deviate from Taoism and could not reach its aim any more. So it is what Yi Jin Jing says, it is of Yin and Yang, being negative and positive aspects in Taoism. Yi means change, and the change between Yin and Yang is like the shadow of moon and sun in the bottle, or such as the Yin and Yang display on the palm although. The key is up to the practicer, as the two aspects are both up to human's will. Anything could be changed indeed, falsehood one could be changed into truth; coldness one could be changed into hotness; something strong can change into something weak; quiet can change into activeness; being downward can change into being up; pressing can change into ease; the passive can change into the positive; danger can be changed into safety; the trouble can change to be managed; the misfortune can change into good fortune; the dying can be changed to the survivable. The "Qishu" can be changed by will to save. All the things in the world can be changed back or forward, so do the tendon and bone of human. The tendon is out of the bone marrow, within the skin muscle. There are all tendons, relative to each other all over the body to pass through and control the vim and other things as the outside aid of the spirit. Like the shoulder can carry, the hand can tweak, the foot can step, all these are the functions of the tendons. So the tendon can not permitted to be loose, to get into disorder, to get rotten, weak, or contracted and so on. What about one with such illness as Lao? how could he enter into the Taoism? The Master taught the method to cure them, to let the disorder becomes normal. Then, the weak becomes strong, the loose becomes harmonized, the contracted becomes long, the rotten becomes powerful. In a word, the ill body becomes strong and solid. That function of changing is called "Yi". The body is the base of the benefit and good, so Yin and Yang are controlled and can be mastered by human whatever. If one can maintain his wellbeing from the ill effect of Yin and Yang, he can also change his normal body into the strongest as hard as the diamond, with no any confusion inside, no obstacle outside. At this state, he can go into Dhyana (concentration) and also can go out from Dhyana. His work is not a trivial matter, but because of the sequence of the process and the doctrines having the inside and outside aspects of two. This can be examined in each from the regular daily life and the produce process of the medicine and apparatus. The Novice must first burn the fragrant to show his promise and determination, being brave and strong to do the lesson as the doctrine told. If one can persist in it ,it is sure for him to reach the door of "Shen". Bancimidi(the Sangha )notes, the text is the original idea of great master of Bodhidharma, and it is the general idea of the Yi Jin. This translation script is the same meaning as the original without any change. The volume One is about the meaning of the book content in detail. If can meet other great masters from India, please ponder over it again.

Xing Yi Quan

Xing Yi Quan
    I. COURSE OF ZHANG YULIN PRACTISING XINGYI QUAN
    Mr. Zhang was tightly bound to Xing Yi Quan in his boyhood. His first teacher was a man in his hometown called Zhang Kuijin, who was not only good at Kung-fu but also storytelling. When he was telling stories, he could describe the Kung-fu warriors vividly. Zhang Yulin was greatly       touched by these stories, and gradually got interested in the marvelous Chinese Kung-fu. When Zhang Yulin was fourteen years old, Zhang Kuijin acknowledged him as his disciple. Thanks to his talent and diligence, Zhang Yulin learnt Kung-fu quickly and thoroughly from his teacher. Meanwhile, Zhang Yulin also acknowledged Mr. Wang Zhendong as his teacher. Directed by the two teachers with utmost care, he practiced hard no matter in cold winter or hot summer, and made great progress in the field of Chinese Kung-fu.{youtube}-elVjq2A1fg{/youtube}
     In 1971, Zhang Yulin got a job in a restaurant in Shen County. And he requested to be assigned to a working position to mix and blend flour for steamed bread. He blended about five hundred kg of flour each day. From kneading, beating, squeezing and pressing the flour he experienced the strength and force of Xing Yi Quan. He practiced Xing Yi Quan everywhere in his daily life. After work, he widely visited Xing Yi Quan boxers of the folks to compare notes with them and learn from others' strong points to offset his own weakness. Back home, he digested and maneged to figure out all those. Several years later, he made terrific progress in Kung-fu and became a prominent figure in the field of Chinese Kung-fu. Since mid-1970s, he has been ranked the top at all Wu-shu contests held in Shenzhen.
 

Words Relevant to Chinese Traditional Kung-fu

Words Relevant to Chinese Traditional Kung-fu
    "Zhang Men Ren"
    "Zhang Men Ren "is a person who is in charge of a Kung-fu fraction. In history there was no record about "Zhang Men Ren" since the Han or the Tang Dynasty until the Late Qing Dynasty. At that time Kung-fu remained a whole and had no separate fractions. If not, who can tell what fraction Zhou Tong, teacher of a patriotic hero named Yue Fei in the Southern Song Dynasty, belonged to" And Qi Jiguang, Cheng Chongdou in the Ming Dynasty, Shi Jingtang in the later Jin Dynasty "However, in the late Qing Dynasty, the word "Zhang Men Ren" became famous with the development of Kung-fu novels in China. The novels were so popular that people thought they were part of the reality. Therefore, the word "Zhang Men Ren" originated from the novels was then used to represent ringleaders. The word hinted a lot of feudal ideas. The conflicts within fractions were as frequent as those written in the Kung-fu novels. Then the word with those out-of-date ideas disappeared when the Chinese society developed into a modem one. At the beginning of the 1950s, the "Zhang Men Ren" were oppressed in the Anti-counterrevolutionaries Movement by the government. Nevertheless, the word revived again with the opening up of China and the rise of video games. Fractions were founded one after another. According to a recent general statistics there are about 300 fractions around the country. Among them are fractions within fractions or so-called newly discovered Kun-fu legacy. Though it is exiting for the Zhang Men Ren to set up new fractions and have a good show-off, it is clear that what they do is simply cheating and lying, a total setback of our modem culture.
    There were many famous kinds of Quans in the Ming Dynasty, i.e. Thirty-Two Shi Chang Quan, Hong Quan, Ying Zhua Quan, Hou Quan Zui Ba Xian Quan. None of them were named under any fractions. Therefore there were no Zhang Men Ren at all. In fact, different kinds of Quans did have their own representatives in different periods. The representatives were widely recognized by the society instead of self-promoting. So those so-called "Zhang Men Ren" should retire and go back home.
   "Ru Shi Di Zi"
   "Ru Shi Di Zi" means senior students of a teacher.
The saying comes from a lecture of Confucius to his students. He said: Why is Zhongyou playing music in front of my door" I love his playing but I don't enjoy his music. Hearing this, the students began to look down upon Zhongyou. Then Confucius said again: Zhongyou has learned a lot, good as a junior student, but not good enough to be a Ru Shi Di Zi.
    Simply put, to a teacher, students in their first few years of learning resemble visitors entered the door, junior students resemble visitors entered the hall while senior students visitors entered the bedroom.
Usually people don't call themselves "Ru Shi Di Zi" which is usually used to praise the others. This is due to the traditional ideas of China and is hard to explain in such a short passage.
    "Chuan Ren"
    "Chuan Ren" means an orthodox or lineal student. According to the culture of Chinese traditional Kung-fu, people attach great importance to a student's teacher. If their teachers were not orthodox or lineal, the students prefer to make their teachers sound mysterious. Otherwise, they will print the name of their teachers and introduce themselves their Chuanren on the name cards. Only a few are able to be "Chuan Ren", so it is a great honor to be called "Chuan Ren" and it is not appropriate to address yourself as “Chuan Ren” in China.
    "Men Ren"
    The word “Men Ren” means the students who have learned only the general ideas of teacher, It contracts directly with “Ru Shi Di Zi”. Any students can call themselves “Men Ren” after several years of learning. Yet only those mastered the knowledge well was recognized as "Ru Shi Di Zi". Confucius had three thousands students, few of them were "Ru Shi Di Zi". It is good to call oneself "Men Ren" in regard of politeness in China. the Song Dynasty, an author named Zhou Dunyi was famous for his works named "Tai Ji Tu". He had a student named Cheng Zhengshu, or called Yichuan Xiansheng. Chen Zhengshu came from the city of Luoyang. The summary of his theory was: taking sincerity as the foundation, focusing on terminal truth finding, no matter moving or not, the saints were always our examples to learn. At that time many people wanted to be his students. The phrase “Cheng Men Li Xue” told a story about his two students named You Zou and Yang Shi respectively. One day they went to visit their teacher. But, when they found their teacher was taking a snap they would rather wait outside the door even it was cold outdoors and the snow had been very thick. The phrase explicates the strong will to learn despite any difficulties. Somebody even use it to express his/her humble attitude being unable to acquire the knowledge well, like those two students staying outside the door.
    "Bi Men Zao Che"
    "Bi Men Zao Che" means making a chariot with door closed. Usually it hints doing something by oneself without any connection with the outside world, which sounds not practical at all.
    However, according to the article where the first appearance of the word was found, the context of the saying is as follows: Making a chariot required the production of parts inside a house and the assembling of the parts outdoors. This is a producing procedure that guaranteed coordination and correspondence.
 Having understood this we should know there is nothing wrong to produce the parts of chariots inside a house. However, we must not forget to assemble the parts outdoors.

To Exercise Tai Ji Quan Step by Step by Li Jianfang

To Exercise Tai Ji Quan Step by Step by Li Jianfang
    Xingtai first named Ren (the thing standing for water in Wu Xing) in ancient times, and then named "Big Land Lake". There is a poem of Song Dynasty expressed its natural scenery and custom, The Wave of Big Water Land, "How powerful the thousands of layers upon layers of wave, as nine water headstreams all come together in one lake here. When it is calm the surface like a mirror reflecting the light; when it is irritating, it is impossible to discern the direction in the lake. In the spring season, fishes jump out of the surface in the drizzle, sparrows flying alertly in the evenfall. In the moonlight, among the aquatic plants, near the bank planting willows, the fishermen are singing the praise song for the lotus flower while sailing." The beautiful natural environment has fostered generations upon generations of industrious, brave and simple people of the "Around Water Village". This people have wide mind, fierce style and love studying Kung-fu since ancient times .There were one Kung-fu winner, one Gongsheng and one vice Gongsheng (the glory title for the most capable person in ancient times.) of governor election examination in the latter period of Qing Dynasty alone.
     Wang Qihe(1885-1932) was born in "Around Water Village" of Hebei Province. Wang Yongqing, one of his elders, was a Gongsheng. Wang Qihe was a prentice of the master Hao Weizhen and masked the Wu's( Îäʽ) Tai Ji Quan. Later he by chance met Yang's Dengpu, the¡¡famous Yang£¨Ñî) Tai Ji Quan master and learned the Yang(Ñî) Style¡¡from him. Hence Wang Qihe's Tai Ji Quan had his own particular¡¡character, his out-push hand posture based on the Wu(Îäʽ) Tai Ji Quan, mixed with the character of Yang(Ñî). Mr. Wang Qihe had a very¡¡famous reputation in Xingtai and Ren County. His internal work(ÄÚ¹¦)¡¡reached a very high level, and received more than one thousand students. Today most of those who practice the Wu(Îäʽ) Tai ji Quan are his students.


    I . Empha- sizing "Xing"The step is foundational. Beginners should learn the movements one by one strictly following rules to make sure the postures and movements are correct. No matter what styles of Tai Ji Quan we are exercising, we must understand the key to posture our bodies, hands, and feet as well as the way to step and move our bodies and hands. Imitate the teachers and adjust the movements to your own body conditions. Keep practicing under the instruction of our teachers. Eventually we will form the correct postures and movements.
     Here are some tips for this step:
     1.  Make sure your body is straight and vertical to the ground. Relax your body and keep your backbone straight. Never bend forward, backward or to the left or right. There are also two tips for achieving this. First, imagine that a string is pulling your head. Second, imagine that a weight is weighing down your backbone. Generally, the upper part of our body should be easy to move, and the lower part should be steady while the middle part is agile.
    2. Make sure your way to step is correct. This is the ABC of Tai Ji Quan exercise. For the beginner, the control of strength, the timing to advance, retreat and turn is hard to master. If we put our feet in the wrong place, say, we step too widely, too narrowly or in a wrong direction, we will form a wrong track. Moreover, the whole practice is spoiled. Therefore it is the foundational exercise to practice your steps. You can exercise it either with the movements of your hands or not.
    3. Make sure you relax yourself and be natural. Of course we should follow the teachers but we cannot be too formalistic. Give attention to both "Xing" and "Yi". Relax every joint of your body and make your movement natural and decent.
    II. Giving Attention to Both "Xing"and"Yi"
    In this step, both the awareness and physical movements should be emphasized. We imitate not only the appearance but also the awareness of our teachers~ We would rather use our mind than our strength to guide our movements. Eventually we will gain the understanding of the key to the movements through our practice. The tips are:
     1. Consecutiveness. When you have learned the set pattern of the movements, it is important to make each movement consecutive.
    2. Form circles or arcs all the time. Because every movemt of Tai Ji Quan is a circle or an arch, always remember to form circles or arches. When praticing, pay close attention to your waist. By turning the waist we move our four limbs. At this moment, the waist is like an axle and hands are similar to wheels.
    3. Softness. Tai Ji Quan is based on softness. Softness is good for smoothing breath, regulating spirit and reducing the physical demands. When your body is soft, rather than stiff, both your breath and your circulation of blood are smooth. This guarantees a long life. Moreover the softness will enable us to be more flexible and agile in fighting. It is the characteristics of Tai Ji Quan to win with little force. Once we master it, we can freely move, avoid the force of the rivals and take advantage of our situation to hit them. To achieve this do not mean only keeping even and relaxed. The whole body should maintain harmonious. When moving, the whole body is moving. After a period of time you will be wholly flexible .Then you can be either hard or soft, hide your force in the softness.
    III. Emphasizing “Yi”
    In this step we mainly practice the “Jing, Qi, Shen”(¾«£¬šâ£¬Éñ)£¬which refers to energy, breath and spirit. The mind will control the body and the inner power will dominate the movement. When exercising, you look like dreaming, nor hesitating or pondering. All your movements are up to your mind. You can be either fast or slow. Then you can transcend all the set patterns in despite of the rules you learned. The tips are:
     1. Be agile and fleet. There are some proverbs about Quan: "yi” ju dong, zhou shn ju yao qing ling" That means when moving, your body should be agile and seems very light in weight. And also "Jin shen neng ti qi, ze wu chi zhong zhi yu, yi qi xu huan de ling, nai you yuan huo zhi qu" ( ¾«ÉñÄÜ

The Research for the Characteristic of Tai ji Quan(part 1)

The Research for the Characteristic of Tai ji Quan(part 1)
    From the current materials about Kung-fu, Qi Jiguang is an outstanding person for sorting out and researching folk Kung-fu. He sorted out all kinds of Chinese boxing method. Through the practice, he discarded the dross and selected the essence and founded thirty-two patterns of Quan Scripture. Qi Jiguang not only had his own researching achievement, but also learned from the other constantly. He learned the stick skill from Yu Dayou, and the spear skill from Tang Shunzhi. His aggressive way of study, the spirit of not simply copying the ancestor' s achievement, and the brave reform make an important effect for us to inherit, research and sort out the attacking technology and patterns.
    According to a large sum of materials I have analyzed and researched, following Qi Jiguang, another Quan scripture's author is Chen Wangting [ 1600---1680] of the ninth generation of the Chen family in Chenjiagou  Village, Wenxian County, Henan Province, who researched and sorted out all kinds of Kung-fu. Chen Wangting his another name is Zouting. The Chen family chart says" famous in Shandong Province... mopped up thousands of robbers----the founder of Chen' s Kung-fu about the boxing, sword and spear skill."
    In the poetry written by Chen Wangting, it says, "Admiring and
praising the past ,Sword in hand and Armour in body, I mopped up thousands of robbers, at risk of life; it' s in vein to be awarded by the emperor. By now, old and sick, only a book of Huang Ting with me. Practice boxing when bored; plough the field when busy; teach some students and sons in leisure; succeed if they work hard." According to Chen's Quan and sword chart, the Quan skill which Chen Wangting founded, includes Tai Ji Quan(another name is Thirteen Patterns ),five patterns of beating ,one hundred and eight sets of Changquan and big gun thumping (one set ). Among them twenty-nine sets are from thirty-two patterns of Qi Jiguang's Quan scripture. The songs and poem theory are all adopted.
    Chen Wangting was an outstanding person after Qi Jiguang for sorting out folk Kung-fu. Qi Jiguang and Chen all came from the army; he could get in touch with many boxing coaches. It was convenient to unite all the advantages of Kung-fu to inherit and reform. Apparently, Chen Wangting had been influenced by Qi Jiguang in sorting out the attacking technique of Kung-fu. The thirty-two patterns of Qi Jiguang's Quan scripture is the overall of sixteen kinds of ancient Quan skills. He discarded the dross and selected the essence, designsed carefully and chose thirty-two patterns to Quan skill, as "the source of Kung-fu" for soldiers to improve their skills. Cheng Wangting absorbed more than twenty-nine patterns from it, and edited the twenty-nine patterns to Tai Ji Quan serial of skills and tricks. Chen Wangting founded seven kinds of boxing serials. We can-not know where and how many he absorbed from the other boxing serials except absorbing from Qi Jiguang's thirty-two serials of Quan scripture. From so many names of the seven boxing serials, we can see he absorbed quite a lot from the ancient boxing skill. According to Chen' s Quan and Spear Chart, Wenxiu Hall Quan Chart and Liangyitang Chart etc,there are records of Sanshou's "Hong Quan   breaking the wall" and "gun-beating against wind" of "Short-Beating" and the "eighteen Grasping Techniques of Jing Gang ", specially focusing on the practice of grasping and bones' dismantling and "Zhanyi eighteen tumbling" for tumbling method. From the above we know at that time Tai Ji Quan's serials of skill and trick is quite comprehensive. Especially, that Hong Quan's being passed round and practiced from Shao Lin Temple, has also been read in the chart. The chart says, if you want to know the source of the Quan, it came from Nan Tang Dynasty by Taizu emperor; another song of Panluo stick says, "The old temple Shao Lin
    Temple, Kung-fu practiced by five hundred monks in the hall. The skill of Hong Quan for breaking the wall is greater... If you want to know where the stick skill comes from. Panluo passes round in Shao Ling.(Shao Ling is the misspelling of Shao Lin). The thirty-two serials of Tai Ji Quan often begins with "Lanzhayi" (" Roll the clothes lazily". The people in Ming Dynasty wore long gowns and belt in the waist. If they practice boxing, they must roll the gown to the belt, so that it is convenient to move their legs and hands. Qi' s Quan Scripture begins with"Lanzhayi". The left hand rolls the gown to the back of the belt, the right fist stretches to the back and the eyes look at the front. That was called "Lanzhayi". It means, when the person faces the enemy, he calmly rolls the gown to the back of his belt, being superb in Kung-fu skill.) Chen Wangting's Quan serials also begin with "Lanzhayi". Chen Wangting's Quan chart (i.e. the name of Quan) and The total formulas of Quan Scripture also adopted from Qi Jiguang' s Quan Scripture. So we can say Tai Ji Quan' s founding is on the basis of thirty-two serials Quan Scripture.
    And there' s so many names of the seven Quan skill that we can imagine there is quite a lot of the adopted kinds of Quan Skills. There is not any record in Yu Dayou, Qi Jiguang, Tang Shunzhi, Cheng Guandou, He Liangchen and Mao Yuanyi's Kung-fu works about Tui Shou(pushing hands) and double persons' sticking sword and sticking spear. There is not any record at that time in any works about practicing methods. It solved the problem when there is no shield, the sports method that can still practice and increased the skill of sword fencing and spear hitting. It is a creative achievement in Kung-fu history of our country. In Chen Wangting's The Total Formula of Quan Scripture (Chen's Liangyi Hall Quan Chart and Chen's Tai Ji Quan and Spear Chart in Chenjiagou Village,Wenxian county, Henan Province), the first two sentences are, "put down vertically an stretch bend, don't let the others know, the several touching parts wind me and I follow them all" (The "touching part" means the touching part when they have a contest, in which they use the technique of carrying, stroking, transversing, picking, drawing, straining, compeling, pulling out to stick without separating, to introduce and make it empty to be the basic technical practice principle, elaborate the strategy and tactics of "people don't know me, but I know people only"). This book explains the seven serials of Tai Ji Quan's characteristics and method in broad outline. For practicing method of Tai Ji Quan hitting skill, Chen Wanting was obviously inspired by Qi's Quan scripture  the main point part. From the words "if you learn the skill, you must try to fight the enemy. Don't be sorry or curious about the winning and losing. You should consider how to win it and how to let them lose. Keep on trying it. If you are afraid of the enemy or if you are superficial in skill, try it several times and then your skill will be improved. The ancient people said,' Boldness of execution stems from superb skill'. That is the truth."
     Chen Wanging' s The Total Formula of Quan Scripture has seven words in each sentence, and thirty-two chapters. It's the early ancient Quan theory of Taijiwuan. It is the summery of Quan theory for Qi's Quan Scripure to elaborate the ancient attack and hitting skill. It sets fourth the attack and defending strategy and tactics of Tai Ji Quan. So It is the briefly Quan theory of seven serials of Tai Ji Quan. We may compare the words of The Total Formula of Quan Scripture' s seven serials of illustration and formula of Tai Ji and and Qi' s Quan Scripture ' s thirty-two serials of illustration and formula. For example, the total formula of Quan Scripture says," Put down vertically, and stretch bend, and don't let the other one knows. The touching parts wind me and I follow them all, to make progress by cutting, hitting, pushing, and pressing". But Quan Scripture----the main part says, "The one who cannot peep at, can be called miracle. The serials can be low down and change. The cutting and hitting, pushing and pressing must be followed ". So it is not difficult to see how Chen Wangting absorbed from Qi's Quan Scripture and summarized the cream. But Chen Wangting is not satisfied with Qi' s Quan Scripture and the other Quan theories and skills. On the contrary, he constantly make further understanding and researching on the basis of achieving mastery through a comprehensive study and make serials of creative elaboration.
     Chen Wangting's self-creative achievement for Quan theory and skill mainly shows at the first two sentences of The total formula of Quan Scripture:" Put down vertically and stretch bend, don't let the other one knows .The several touching wind me and I followed them all. ""Several touching part" means not only the two people's hands and arms touching but also the bodies' touching .He uses the hand-beating skill to get use of sticking with pasting to practice the skill of "Dong Jin" and "Fang Jin". Through the strict strategy and tactics and correct training; practice again and again, and improve the skill level continuously, to get to the superior stage of Tai Ji Quan hitting skill of "Boldness o f execution stems from superb skill" and "People don't know me and I know people only".
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